Directed by Luís Noronha da Costa
Padres begins with a fabulous shot. Instead of two parents, we see two cats, one black and one white. Without exaggeration, one could say that these cats are the first "parents" of the film, happily fighting for food, one more aggressive, the other more passive. It turns out to be a brilliant association in "sacralizing" the animals and eroticizing them.
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