Directed by André Francioli
With Mariana Loureiro, Paulo César Peréio, Renato Consorte, Tamayo Nazarian and Zózimo Bulbul
In 1850 the Italian dancer Maria Baderna arrives at Brazil, her fame and the scandals she provokes turns her name in a common expression. The film uses passages supposed to be about her to criticize modern Brazil, the dictatorship period and also a homage to filmmakers like Rogério Sganzerla.
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