Discrepant Sight

Directed by Yo Ota

With Masazumi Minaki and Kanako Takahashi

How well can movies reproduce the reality we see? Cinema used to record and reproduce the movements of the scene using a camera (photograph), a device that records the scene in terms of perspective. Is it true? Isn't it possible that our way of seeing things, on the contrary, was created by photographs and movies, or by paintings based on perspective that existed before then? This film provokes the way of viewing films cultivated in this way.