Directed by Takashi Ishida
With materials originally designed for use in an installation, this piece is sustained by the dual processes of editing and dismantling. The film combines frame-by-frame shooting, flickers effects reshooting, trace of sunlight, and trick-effects using wires to create parallel structures of juxtaposition. Even as it imitates the repetitions and transitions of natural phenomenon, the film escapes the world of natural.
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